Granite Worktop Display at Cavendish Benton showroom

We recently installed these wonderful granite worktops onto a working display kitchen at the Cavendish Kitchens Benton showroom East of Newcastle upon Tyne.

Granite worktops, Cosmic Black, Newcastle

The granite is Cosmic Black which comes from Brazil. The kitchen is a working display where cookery  and appliance demonstrations take place from time to time. Contact Cavendish kitchens for more information on this. www.cavendish-kitchens.co.uk

We think the sink splash back works particularly well where the dramatic veining of the stone is on display. The up-stands around the rest of the kitchen and the splash back behind the hob up to the wood serving shelf bring a sleek continuity to the display.

More of this stone is available to view at our Durham showroom.

Granite worktops, Cosmic Black

Fitting Solar Panels to Marble Arts factory

Over the week-end we have been busy fitting 12 solar panels to the South side of our factory, We have another 12 being fitted to the small roof above the digital drawing room again on the South side of the factory this week. It was rather disappointing not to be able to get the panels onto the main factory roof, unfortunately following a structural survey of the 1968 structure we found that it would not take the extra weight. With little time to get them up before the 12th December, the date when the government FiT’s tariff is being halved, we have rushed to get them on where we can. We hope the system will bring in £2,000 of income and savings per year. This roughly equates to an 11% return on our investment. This all helps us to be more eco greener and competitive in the market for granite kitchen worktops and the other wonderful stone products we make here.

We use electricity during daylight hours, for instance our factory lighting, our cutting machines and water recirculation pumps. This makes us ideal candidates for investing in solar renewable energy. Not only do we get the government payment through the MCS scheme but also by generating our own power we save on having to purchase power in daylight hours from the grid at 9.5p per kW. When we are not working, for instance at the week end, the system will generate electricity and export it to the grid at about 3p per kW.

We got Maypower Ltd. to install the system for us. They specialise in Commercial installations. Call them on 0191 374 1556 for more information.

Putting a shine back onto an old marble floor

We recently refurbished the vestibule of the main foyer to the South Shields Town Hall. The floor needed sprucing up for an event taking place there in early November. The pictures show the before and after look of the floor which after our treatment came up to a high shine beautifully.

The stone was a orginally laid as a chequered floor, white and black marble. In parts some of the black squares have been replaced with a slate tile, presumably because of breakages. Slate does not shine up like marble but remains a dull honed look.

The pictures show our specialist Klindex grinding and polishing machine with interchangeable heads. We can simply scrub a floor or go the whole hog and diamond grind it followed by polishing and finally buffing. The wet polish system used provides superb results. The system is clean and efficient. check out our gallery of jobs which will be updated shortly.

To keep your stone floor looking as good as the day it was first installed you need to maintain it.

honed limestone floor

Follow these few simple rules and you will keep your floor in tip top condition for  years to come.

Rules

• Treat. Make sure your floor is well sealed by a professional as soon as it is laid. Often damage occurs whilst builders are still present, treading builders dust plaster etc. into untreated floors can be very difficult to extract later.
• New floors should be protected professionally as building work continues. Do not simply cover with hardboard, grit trapped between hardboard and the new polished floor surface will cause a lot of scratch marks. Use a soft layer between such hardboard and the floor surface and make sure you brush it clean first.
• Brush or dry mop regularly with a soft bristle dry brush or day mop, once a day is good but it really depends on how much use the floor gets. dirt and grit carried in on the soles of your shoes can take the shine off a floor. Keeping this grit and dust off the surface will prolong the shine and patina of your floor.
• Door matts. It is really good practice to put a door matt at outside entrances for people to wipe their shoes on to get rid of what dirt and grit you can.
• Furniture avoid dragging across the stone floor. This can cause scratches. best to put felt pads under metal casters.
• Plants should be placed on special base containers that are watertight. Water stains from plant pots can be very deep as often they go un-noticed for weeks.
• Cleaning detergents should be specially designed for stone floors that will not harm the surface. These will be PH neutral. Other detergents can cause a great deal of irreparable harm either because they re too acidic or too alkaline.

• Do get a professional (Marble Arts) to clean the floor once per year. The extra machinery he can provide and knowledge will help maintain the floor as new.

Polished marble floor

honed marble stone floor

Buying Stone Floor Tiles

• Natural stone has been used in flooring for centuries. Commonly older properties used stone that was locally quarried because it was hard wearing and practical. Today we choose stone more for aesthetic qualities of beauty colour and feel. There is now a far wider choice imported from around the world.

Choosing your stone

• Type – there are many types of stone each with different mineral compositions and structure. If you are not familiar with these differences we strongly advise you to ask us for more information so that we can help you make the right choice for the area to be fixed.
• Colour – within stone types there are many different colours to choose from. Being a natural product quarried from the hills consideration should be given for natural variances in tone and colour within a type. Often stones within a type will vary considerably from box to box, pallet to pallet and batch to batch. Fixed properly this characteristic is what defines natural stone when compared to man made products. See the notes below about installation to avoid the problem of varying colour across a floor.
• Size – there are many size formats but not all tiles come in all formats. The look of a floor can be altered very effectively by how the tiles are fixed, for instance fitted square or brick bond or on the diagonal. Generally the larger the tile format the thicker the tile needs to be to avoid breakage. Some stones require greater thickness because they are fragile.
• Weight – natural stone is generally heavier than ceramic tiles. Consideration should be given to the load bearing capacity of the floor onto which stone is to be fixed. As a broad rule you can calculate weight as 30kg/m2 for each 1cm thickness of tile but the total weight of a floor will also depend on the thickness of adhesive used. So for a 2cm thick tile the weight will be approximately 60kg/m2 plus the adhesive. If in any doubt about your floor strength seek professional advice.

Delivery and handling

• All orders will be delivered on a large lorry so it is important that any information you have with regards to restricted access are advised prior to the delivery. The load will be placed, at the driver’s discretion, to the nearest safest point to the delivery address. This would usually mean roadside pavement or road itself. It is not possible for the driver to use his pump pallet truck on hardcore and gravel driveways so please be aware that you should make arrangements to accept the load where this is the case. The delivery driver cannot help handle the goods.
• When unpacking stone, care should be taken not to damage the tiles. Often the stones will be tightly packed and the spacers may need to be carefully removed. Stone should be stored vertically on its edge but on a surface that will avoid chipping the edge, old carpet or timber is good.
• All orders must be examined for shortages and damage on delivery. Any problems should be notified in writing within 48 hours.
• If collecting the goods from our yard, goods must be checked before loading. Goods collected are transported at the individual’s own risk.
• Installation of the goods is viewed as acceptance of the goods supplied. No claims after this stage can be accepted.

Before installation

• Stones are often packed very tightly and are wet from the process of cutting. They may not have had time to dry out until they are unpacked again. As the stone dries out it will often lighten in colour. It is advisable to let the tiles dry so that a clear picture of the tonal variation within a batch can be seen prior to fixing. This way any unusual markings can be identified and used as cuts or put in a place less visible.
• When working with the tiles the installer should always ensure the batch is mixed up to ensure an even distribution of the inherent colour variation within the batch. So they should pick from a number of boxes at the same time, or if working from pallets then pick from a number of pallets at the same time.
• Minor damage such as edge chipping is often caused in the packing and unpacking of tiles but it is quite normal practice for these tiles to be used either as cuts or in areas not sensitive to this look.
• Uncalibrated tiles should be sorted by the installer so that the thickest tile governs the finished height of the floor
• Dimensions listed in the quotation are nominal as slight variations in the size and thickness can occur as with most natural materials.

Treatment of Stone

• All natural stones are porous and therefore we recommend treatment to help protect and maintain the stone finish.
• We recommend that most tiles be fixed (but not grouted) clean and dry prior to any treatment. An exception would be unfilled travertine which by it’s nature requires cement grout to be slurried into the holes and sealing this type of stone before this process would inhibit the cement taking hold.
• When treating stone always read the label of the product and apply as instructed. It is strongly advised that a sample tile is treated as it would be when fitted so that you can inspect the effect to check if that particular treatment gives the look desired.
• It is recommended that stone be treated once before grouting and at least once thereafter. The first treatment can prevent “picture framing” where grout soaks into the stone, causing discolouration around the edges of the tile. Additional treatments should be carried out after grouting. Apply until the stone does not accept any more. It is important not to let any treatment puddle as this can lead to a shine left on the stone that is not always desirable. This can be avoided by wiping the treatment into the stone with a suitable lint free cloth. Always allow each treatment to dry out before applying the next unless specified differently by the manufacturer.
• Please note that there are many types of sealants and treatments. These can alter the finished look of the stone from matt to satin to shiny. It is important your fixer knows what to apply.
• All installations require some kind of maintenance. This will vary according to stone type and location. Heavily trafficked areas will require reapplication of treatments from time to time. Abrasive cleaners should always be avoided as they can remove the sealant. Never use bleach or acid cleaning products.
• All treatments are a help to prevent problems but they have their limitations. Carboniferous stones are particularly susceptible to marking from acids and so spills of wine and acidic foods should be wiped up immediately.
• Some stones are softer than others, for instance limestone is softer than granite, so care should be taken when moving furniture so as to prevent scratches.

We were asked to provide a new marble back and hearth for this firepace when the existing stone had been accidentally broken. The wooden fire surround was fixed in place and the cleint did not want to remove it, so we measured inside the frame and created the same stepped back panel that was originally there.

The client chose Maron Imperial stone which comes from Spain. This stone is petrographically classified as a limestone but is commonly known as a marble, taking a high polish.

This stone marries well with lighter brown shades, suh as Crema Marfil marble. In this instance, the dark stone clashes a bit with the dark surround – but it is close to what the customer had originally and was preferred.

Contact us to discuss your fireplace refurbishment needs 0191 3757545

Botticino Classico marble hearths ready for despatch

We manufacture fireplace backs and hearths. This pic shows a some of a batch of Botticino Marble fireplace hearths made for a client installing new fireplaces in Sunderland. Botticino marble is a stone that comes from around the Verona area of Northern Italy. We import slabs of the stone in both 2cm and 3cm thickness for turning into made to measure items such as the hearths shown but also marble bathrooms, table tops and other decorative furniture.

For information about how to buy a made to measure fireplace surround, back and hearth from our works, please contact us and we are happy to discuss your requirements. 0191 375 7545. we service the North East, Newcastle, Sunderladn, Hexham, Richmond and other surrounding towns and villages.

LOCAL INTERIOR DESIGNER SCOOPS TWO MORE, MAJOR, NATIONAL AWARDS

Ruth Bond, a Jesmond based interior designer has won two, important, national design awards.

Ruth Bond shows off her kitchen award and bathroom award

Ruth Bond Interior Design won the highly prestigious Design Award 2011 for Kitchen Design of the Year (over £25K), and also Bathroom Design of the Year 2011 (under £15K). This is the first time in the scheme’s history that both awards have gone to one person. http://www.thedesignermagazine.com/the-design-awards/

The presentation ceremony and lunch for the Awards took place at Lord’s Cricket Ground on Tuesday 11 October. The winners and finalists accepted their awards and were congratulated on their success in front of a packed audience of almost 400 senior figures from across the design industry.

The Design Awards is an on-going scheme to promote excellence in design for interiors, organised by the publishers of Designer magazine and supported by over 30 leading UK suppliers. Competition was fierce with over 250 entries for each category from among the top London and national design companies.

The judging panel was drawn from a selection of leading architects, interior designers and industry journalists. They were particularly impressed by Ruth’s “vision, and the clarity, coherence and detail shown in her presentations”.

Ruth Bond has been designing stunning interiors for nearly 15 years. She has previously been shortlisted for the Awards, winning last year’s Design Award for Bathroom Design of the Year (Contract), and also being selected as runner-up for Kitchen Design of the Year (over £25K).

Although based in Jesmond, Newcastle upon Tyne, Ruth has worked, and continues to work, on many national and, increasingly, international projects.

She comments, “I am thrilled that my work has been recognised by such an influential body. I am also delighted that the awards show that good design is not necessarily dependent on a limitless budget.  My philosophy has always been to find creative solutions that suit my clients’ pockets as well as their aspirations.”

Marble Arts have long been a supplier to Ruth Bond and the kitchen worktop in the winning design was supplied by them.

Design Award Winning Kitchen